7 exact previews - measured October 23, 2026
These exact catalog previews produced raw BPM Finder displays from 112.6 to 117.2 BPM. The list keeps every one-decimal result, version label, source link, and measurement date visible instead of rounding each recording to 115.
| Recording and catalog listing | Raw display | Measured |
|---|---|---|
| Mark Ronson - "Uptown Funk" (feat. Bruno Mars)Uptown Special - track 92734438 | 114.8 BPM | Oct 23, 2026 |
| Michael Jackson - "Billie Jean"Michael Jackson's This Is It - track 4603408 | 117.2 BPM | Oct 23, 2026 |
| Daft Punk - "Get Lucky" (Radio Edit)feat. Pharrell Williams and Nile Rodgers - track 66609426 | 116.1 BPM | Oct 23, 2026 |
| Bruno Mars - "Treasure"Unorthodox Jukebox - track 62724017 | 116.0 BPM | Oct 23, 2026 |
| Justin Timberlake - "CAN'T STOP THE FEELING!"DreamWorks Animation's Trolls listing - track 124237488 | 112.6 BPM | Oct 23, 2026 |
| Dua Lipa - "New Rules"Dua Lipa (Deluxe) - track 366297921 | 115.9 BPM | Oct 23, 2026 |
| The Police - "Every Breath You Take"The Very Best Of Sting And The Police - track 2525864 | 117.1 BPM | Oct 23, 2026 |
These are raw browser-tool displays for the linked previews, not certified whole-song tempos. Download the seven-row evidence table.
The closest raw result to the target is 114.8 BPM, while the full accepted set spans 112.6 to 117.2 BPM. The difference between those endpoints is 4.6 BPM. Keeping that spread visible prevents the page title from replacing what the detector actually displayed.
At 115.9 BPM, one beat lasts 60,000 / 115.9 = 517.7 milliseconds. At the slow edge, 112.6 BPM gives 532.9 milliseconds per beat; at the fast edge, 117.2 BPM gives 511.9 milliseconds. The endpoint interval difference is 21.0 milliseconds.
This conversion can set a metronome, edit grid, or practice loop. It does not prove that every section of the complete recording holds the same pulse.
Each row identifies the catalog track that supplied the preview and the date its complete available preview was tested. The catalog did not state where that excerpt begins inside the full recording, so the evidence applies to the accessible preview rather than an untested full track.
No audio or lyrics are hosted here. A studio master, radio edit, soundtrack listing, remaster, live performance, or different analysis section can produce another display.
The same run checked sixteen catalog matches. Thriller displayed 118.2 BPM, Flowers 118.1, Smells Like Teen Spirit 118.1, Moves Like Jagger 127.9, What Makes You Beautiful 125.1, The Nights 125.3, Send My Love 164.2, and Another One Bites The Dust 217.6. Crazy displayed 112.0 BPM. None was moved toward 115 or included outside the declared 112.5-to-117.5 BPM screen.
That exclusion rule is the useful limit: a familiar title is not enough. The exact version and raw result both have to fit the same published window.
If one footfall lands on each 115.9 BPM beat, cadence is 115.9 steps per minute. Distance pace also requires step length. With step length L meters, pace is 1,000 / (115.9 x L) minutes per kilometer.
No runner or stride length was measured in this test, so a song reading alone cannot supply a personal pace or guarantee that this cadence suits a particular person.
No. The raw preview displays range from 112.6 to 117.2 BPM. The title names the working neighborhood, not seven identical measurements.
It preserves what the tool displayed and keeps interval calculations reproducible instead of rounding every result toward the target phrase.
Not by itself. It describes the exact available preview supplied to the tool. A different section or version may emphasize another pulse.
You can test the cadence relationship, but personal pace also depends on measured step length and comfort. Those were not part of this audio test.